Can’t see much in the Sol Powervids, but you can hear a lot of really excited people. They were so excited that they weren’t trying to leave when the lights came up and the music stopped at 3 a.m. We packed up, the drummers kept playing, folks kept dancing. Not a bad way to spend a Saturday night.
…and more flicks from Brotha Ash Productions (link)
I can’t remember the last time I was happy to oblige every single audience request, or an instance where people got HYPED over Organized Konfusion and then sang the roof off for a Fugees tune.
Shadow Lounge is coming up on 10 years in business. That’s what’s up. Much respect to Justin, Tim, Vex and Selecta. Next time I’ve got to make time to raid 720 Records.
Jamil and I were feverishly preparing for this non-stop from the time we got the heartbreaking news. In his words:
“Preparing for this gig was like getting ready to preach your daddy’s funeral.”
So many of you were looking for something that could help you manage the grief and we needed you there to help us manage ours. The turnout overpowered any possibility of ventilation but you all hung in there. The funk of 40,000 years for real!
Here’s our entire MJ memorial service that ran to almost 5 hours total.
Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.
Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.
Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.
Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.
Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.
A recent jaunt across the Atlantic yielded some nicely accomplished missions, stronger alliances and much needed R&R. I even engaged in a bit of tourism that was absent from previous trips.
In between kicking it with the crew and watching Man. U take their medicine in the Champions League final, I managed to rally the troops and have a studio session, the results of which I’m pretty excited about.
Then we all went to Alicante, Spain and spent a staggering amount of time blasting music by the pool, scaring European white folks on the beach with our unrestrained mirth, BBQ’ing and concocting every permutation in the pantheon of adult beverages. Big up Ayra & Ira and the Pancake Gallery for hooking it up!
But about that tune… Working on getting that to the people as soon as possible. Watch this space.
For everyone who didn’t follow my Twitter feed or check out Fusicology’s breakdown, here’s a much delayed final word on that one thing that happens after SXSW.
This was definitely the recession WMC, but the actual effect was less severe than I anticipated. Attendance was lower all around but the folks that did come were there to hustle hard and have fun. Lots of connections were made and parties got smashed off properly. It was kind of bugged out to see places like The Marlin and Specs Music shuttered that were the sites of landmark memories of WMC’s past (Jump-N-Funk and the debut performance of Elements of Life respectively) but SoBe isn’t immune to the downturn.
This was also the year where I actually had a couple of high(er) profile gigs. I’m still trying to graduate out of 12th grade but the Vibe Conductor brand isn’t yet a household name. The grind continues.
The first jam I played was one for the record books. Daz-I-Kue’s 3rd annual James Brown tribute had a power packed lineup of everybody who is somebody and many of whom made me want to be the somebody I’m still trying to be. Jahsonic and I knocked out a quick and energetic set of fast rap with all James Brown samples. Then everyone else continued to merk it, building up the energy level until Spinna, DJ Cash Money, 3D and Scratch executed a four-man weave on the decks. Jeremy Ellis had already stunned the crowd with his unbelievable James Brown routine and came back out to spark a little freestyle cipher. I happened to grab some footage.
After sets from young B-more club sensation Rye Rye, Canadian chanteuse Anjulie and future funk diva Joy Jones I finally got a live dose of the much talked about K’Naan. I’m definitely glad I stuck around until the end.
So outside of handling that bidness, it’s always good to hear my favorite jocks kill it, and hear cats for the first time that I’ve only heard of before. In that first group, there was the beat down that Benji B delivered at the Delano. Starting out with progressive hip-hop and nu soul bits, Benji worked it up through some latin funk into house into a roaring 2-step garage finish. Ian Friday levitated the situation at the Brooklyn Mecca/Libation jam with deep spiritual afro-house goodness. Karizma assaulted the Objektivity party with big-room bombs. There was literally no space to move in there, much less breathe.
In the group of folks I got to hear for the first time, Sabine impressed with her trance inducing, deeply black and raw set preceding Ian Friday. Young Miami local Mr. Brown is one of those crate digging cats who have actually combined their obsession with rare records with the ability to rock the spot. Every time I saw him he was playing out of massive soft-sided bag full of originals that have never passed through my hands. ‘Nuff respect to him and partners DJ Wasabi and DJ Le Spam for the fly balcony afro roots session they set off. Mad Mats has a huge rep and I’ve long been an admirer of what him and his crew have done with Raw Fusion. His turntable game is no joke. Quick, nimble and funky cuts combined with a buoyant, soulful selection is how he gets down. “Mad” mental notes taken of course.
Speaking of Raw Fusion, it was bananas like it is every year. And truthfully, the slightly lower turnout made it better, because there was actually room to dance. Big ups to OP!, Karl Injex, Phil Asher, Rich Medina, Freddie Cruger (Red Astaire), Simbad and of course Daz-I-Kue. If you can’t get across the water to Sweden, it’s definitely worth visiting the offshoot in NYC.
The main takeaway point from this week of sun, dancing and furious hustling is that we’re all fortunate to be sharing this time as peers, artists and fans invested in the music we love. This blog could run multiple pages if I bigged everyone up but I’m more motivated than ever to build the connections to you all this year.
- Whatever it is that uses the Future Rage drums with those mental reversed synth stabs over the top. I think Simbad dropped it at Jazzanova vs. Bugz, and I heard it a few other places too. I NEED THIS SONG.
