Classic b-boy, Timberland, Puma suit, shelltoe Adidas, chewstick, Carhartt, backpack, Coogi sweater, Dickies and Chucks, Cazal, creased Levi rap.

Friday, May 21, 2010
10pm
cover: $7
The Black Cat
1811 14th Street NW, WDC

Download audio file (djstylus_byos.mp3)
[download | subscribe via iTunes]

1. Gil Scott Heron – Intro
2. Ohmega Red – Chocolate City
3. Wayna – So Long Heartache
4. Chuck Brown – Playing Your Game, Baby
5. Raheem Devaughn & Backyard Band – Guess Who Loves You More
6. MVP – Feelin’ Free
7. Ne’a Posey – Gotta Be
8. Priest da Nomad feat. Asheru & Kokayi – Holding It Down
9. Ne’a Posey & PPP – You Should Be
10. Ave.To – Sand To The Beach
11. Oddisee feat. yU – Searching
12. Tamara Wellons – Corcovado rmx
13. Kenny Allen – Kissing You
14. Kokayi – Own Soul
15. Kev Brown feat. Raheem Devaughn – Heaven
16. Muhsinah – Once Again
17. RPM – Poetry Bum
18. Nicholas Ryan Gant & Pharcyde feat. Amma – I Ain’t Ready
19. Bilal Salaam – Metro Groove
20. DJ Stylus – O Fim Dos Tempos
21. Unspoken Heard – Truly Unique
22. JLaine, TFox & Wes Felton – Don’t Really Know
23. Kev Brown – Allways
24. Kokayi & Foreign Exchange – Where Did The Love Go?
25. Marky, Jazzanova & Clara Hill – No Use

Last year I did a happy hour with SoulBounce and put together a collection of DMV soul that was created before Beltway outsiders extended long overdue acknowledgement.

[I really miss Vegetate. | photo credit: Ne'a Posey]

It was only given out on site to folks who attended the party and has languished on my hard drive since then. It’s not that undiscovered new-newness, but a collection of modern DC soul that leans toward the indie and progressive. The main names of the scene over the past decade are included as well as a few bits you might have missed. And of course, there’s a taste of go-go. Without it, this mix would be improper.

I noticed a strong connection between the vibes on this mix and our current combination of warm sun, cool breezes and mild temperatures. I highly recommend this mix for the following activities:

- cruising in the sunshine
- relaxing at a cook-out
- Friday evening pre-gaming
- Saturday morning bunning-up
- Sunday afternoon housecleaning
- hipping people to DMV music
- flaunting your good taste when you pull up next to a cutie at a red light

They win.

Here’s an actual album cover:

And tracklisting:

And here’s a song with some R&B guy you may have heard before.

[POEM-CEES - "Honor" feat. Smokey Temptation]
Everything You’ve Always Wanted… 2010

The backstory on this cat is pretty deep. He was killing this style on a pair of these when I first met him on the U Street scene almost 15 years ago:

That was back in the Amphibians days. Then he moved on to this:

Eventually he was hauling a whole desktop around to gigs, rocking an array of virtual samplers and synth modules and a MIDI controller. That’s just how mad scientists do. I think he’s on Reason now. But anyway, you know this joint, right? Blackberry Jones + Asheru + Heron Gibran = Black Lincolns.

Blackberry Jones, previously known as Aychell made a bunch of amazing music with this guy that never came out.

They were called K.H.E.Mystery. They both rapped and did beats. Did you know that Slimkat78 (of The Els and Op Swamp 81, formerly known as Akuaman) used to rhyme? You should ask him about it. He was quite good. I have a lot of that stuff in the archives. And now you have some too, thanks to Rule4080.com.

To close, I’ll leave you with Blackberry’s classic Dilla tribute.

I think I’m going to have to do more posts like this. Joey and Shatungwa say so too. Folks talk about DMV hip-hop and have no concept of history.

DJ Dredd and DJ Stylus back like we never left with the classic and vintage hip-hop styles.
Friday, December 18
Black Cat backstage
1811 14th St. NW WDC 20009
9pm/$7
dress code: Doowhatchyalike

Diamond D – “The Hiatus”

Pulling this out last week was prescient since Refuge is taking a week off.

Kat is in the middle of her birthday week, is closing out Soul Overdose for 2009 and there was no way we could do the final one any other day than Wednesday. We’re suspending Refuge tomorrow and will resume on December 23. Of course, we’ve got a Grammy nominee to help you get over the hump and maybe a dual Soul Controller after party to boost the usual Jahsonic throwdown.

Soul Overdose with N’digo Rose, DJ Jahsonic and special guest Phonte

Wednesday, December 16
LIV
2001 11th St NW
doors: 9PM
tickets available at LilSoSo.com
door purchase availability NOT GUARANTEED.

Download his new project for free and thank us both. Listening to this album has TRULY been a breath of fresh air for me today. We need as many of these in hip-hop as we can get.

My fave hip-hop out of the continent so far has been from Senegal and South Africa along with a healthy dose of K’Naan but between M.anifest and Blitz the Ambassador, Ghana’s about to smash on bammas.

Oh yeah, Blitz. THIS guy…

If I’m “tardy for the party” I blame “you Africans” – © Fela (you know who you are) for not putting me on. Shame on you in advance if so. You know I need constant infusions of happiness inducing blackness to counteract this coonery out here.

I played back-to-back classic hip-hop parties this past weekend. I teamed up with two of my favorite DJ colleagues in DC, we had a blast and smashed on both nights but the crowds couldn’t have been more different. One crowd was full of serious heads who got more excited the deeper we went in the mix. The other crowd was more diverse, significantly younger, and only really moved by the same hits that everyone knows. One party-goer described my set from that night as “hybrid house jazzy hip hop.” Pete Rock in particular got a thumbs down and I double-checked the track list for house music but couldn’t find any.

I was reminded that when it comes to hip-hop these days, most people have no idea what the fuck they’re talking about.

Not exactly breaking news, I know.

When I was younger and wore hip-hop like a shield of identity, I’d be quick to check you on hip-hop dogma, then I’d strike a b-boy pose. Now that I’m getting older, I’ve started to feel like something was wrong with me. Like I’m the fuddy-duddy who refuses to change with the times. Talking to folks, reading these websites and being in the DJ booth trenches with my comrades are making me realize it’s not me.

This isn’t about people showing up to The Main Ingredient and requesting Gucci Mane with a straight face. The folks in that alternate dimension who think the world revolves around “swag”, tattoos and Patron are a separate discussion and might as well be on another planet. I’m talking about the folks who ride for hip-hop as hard as I used to, except their zeal is fueled by ignorance.

Hip-hop raised me and molded me but on my journey as a DJ and creative soul, I’m always adding new sounds, styles and genres to my portfolio of experience. Ultimately I’m a music person. I always seek to paint from an ever widening palette whether I’m spinning records or making them. I no longer identify myself as hip-hop, pretty much because no matter what I do, it’ll always BE hip-hop. It’s a lens that shapes my perception outside of my conscious awareness. It’s my internal rhythm. It’s not something that I have to proclaim or debate. It’s something I’ve lived so long that it’s like breathing, yet it’s still one dimension among many that I can access when expressing myself musically.

You don’t have to have the same experience in order to love hip-hop. You don’t have to spend 20 years and tens of thousands of dollars collecting records. You don’t have make a pilgrimage to the Bronx or perfect a six-step. I understand being zealous about hip-hop. The difference between my experience and what I’m seeing today is the lack of humility about what you DON’T know.

For instance. I love jazz. I started learning about it in high school. I’ve been to a lot of shows and collected a lot of music. I’ve even performed with jazz musicians. But I’d never critique an expert jazz musician without knowing what I was talking about backwards and forwards. So out of all the assholes that regularly give us grief in the DJ booth, why are the most rabid ones almost always on some hip-hop related bullshit?

These days people have a surface grasp of hip-hop combined with a warped sense of entitlement. And there’s a significant thirst for validation involved too. I don’t know if it’s really about the music or the times we live in. The latter is influential, because there seems to be a correlation between talking loud and saying nothing about hip-hop and the ease with which people feel comfortable spouting off on the internet. But I focus on the music because that’s where I’m most engaged.

What is it about hip-hop makes those with the least to say speak loudest? Why are you too lazy to care about anything beyond the same 20 records that we’ve caning to death for 20 years? Maybe it’s because no one listens to albums anymore. I thought I no longer cared but it still gets to me sometimes.

Here are some highlights of the set I rocked after Zo!’s show & tell time.

Vibe Conductor Pick:

Strange Fruit Project – “Fresh For Life” feat. Thesis

I’ve been following these guys since Soul Travelin’ when hearing hip-hop in this style out of Texas was rare. After a long hiatus as a group while beatmaker S1 racked up production credits, they’re serving up a new EP that forecasts good things for them in the near future. Check out the first video from the M.A.S.K. EP and a highlight from their last full-length project.

Peoples’ Pick:

Electric Wire Hustle – “Perception”

That classic Minnie Riperton sample made an appearance in week 1 and will never get old as long as it’s flipped properly. The music blogosphere can sometimes smother a new artist with adoration before they prove that they deserve the hype. In the case of Electric Wire Hustle, I’ll hop on the bandwagon with everyone else and not be ashamed. When Uncle Q led a stream of folks to the booth for a round of “Who’s that’s”, I knew this was the audience pick. This electronic/organic trio joins forward looking soul artists already representing New Zealand on the international stage like Mark de Clive-Lowe, Lanu and Fat Freddy’s Drop, to name but a few. Get like them.

Nostalgia Pick:

Mighty Ryeders – “Evil Vibrations”

Just occasionally reminding folks of songs that they know, but don’t know that they know.

Digging In The Crates Pick:

Loose Ends – “Don’t Be A Fool”

“Hangin’ On A String” was inescapable but I didn’t explore the rest of Loose End’s catalog until high school when I played my Look How Long tape until it crumbled into dust. Then I came up on the cd and wore the grooves out on that. If I had seen this performance when it aired I would have DIED.

Next week: Pre-Turkey Day Jam, house party style.

After experiencing 30 of the DMV’s best DJs and emcees trace hip-hop’s 30 year journey with a multimedia performance, party with me and DJ 2-Tone Jones for S.O.A.R..

It’s just what the name says:

Samples, Originals And Remixes.
Saturday, Nov. 21
Almaz
1212 U Street NW, WDC
10pm – 3am
$5 with concert ticket stub all night and $10 before midnight.

Actually, you can take a trip in the wayback machine and relive the last time Dredd & Stylus hit the decks as a team. It was quite an evening.

I’m pretty psyched to be a guest at Close 2 The Edge again. Real hip-hop all night. Not the same old school hip-hop starter kit. This is for the heads.

Close 2 the Edge
Friday, Nov. 20
Doors at 9pm
Music by DJ Dredd & DJ Stylus
Dress Code: B-boy/B-girl
Black Cat
1811 14th Street NW, WDC
cover: $7

Vibe Conductor Pick:

Kaidi Tatham – “I’m High”

This song almost broke my iPod’s repeat feature. The album was only released in Japan so it can be difficult to track down but diligence will reward you. Kaidi Tatham is the Herbie Hancock of broken beat. In the seven years since his last solo project as Agent K, he’s blessed us with DKD, Silhouette Brown, 2000 Black and a gang of features, remixes and collaborations. Google all those names, he has more than a few. Jazz chops combined with electronic techniques and soulful sensibilities – that’s where the magic happens.

Peoples’ Pick:

Benny Sings – “Unconditional Love”

If you didn’t know about all the soul in the Netherlands, there’s always time to catch up. It’s hard to describe Benny Sings to folks who haven’t heard him, but they always ask “Who is this?” This video is more helpful than any description.

Nostalgia Pick:

The Brand New Heavies feat. Grand Puba – “Who Makes The Loot?”

Classic Hilfiger and backpack flavor! I sure wouldn’t be mad at a Heavy Rhyme Experience vol. 2.

Digging In The Crates Pick:

Kashif – “I Just Gotta Have You (Lover Turn Me On)”

I’m also healing relationships at Refuge. You didn’t know?

Working on something special for next week with someone who’s got a hot hand in the game right now.

And of course, the first single’s been kragenoff. Did you catch the Vibe Conductor cameo?

And then there’s that new Kev Brown vid. Shot by Apex. Edited by the Humble Monarch himself, young Roderick.

*throws up dubs*

“Beer” got me chuckling.

Available through all the usual online outlets.

We gave the record a test drive on WPFW last week.

1. Outkast – You May Die
2. Quincy Jones – Summer in the City
3. Zansika – Beyond
4. Quintessence – Delirious
5. DJ Spinna – Summer Madness feat. Fresh Daily & Daniel Joseph
6. Roddy Rod – This Time Around feat. Phonte & Carlitta Durand
7. M64 – Rhythm of the Drum
8. Minnie Riperton – Inside My Love
9. Slakah the Beatchild – D.A.N.C.E.
10. Lewis Taylor – Lovelight
11. Bennson – Let The Love
12. Janet Jackson – And On and On
13. Azymuth – Dear Limmertz
14. Real to Reel – Love Me Like This
15. Basia – New Day For You
16. Reel People – Ordinary Man
17. The Rebirth – Love Issue
18. Metro Area – Piña
19. Omar – Little Boy (Jaycee in da Mix)
20. Anthony Nicholson – Dirty Soul (Can’t Lift It)
21. Pirahnahead & Diviniti – Music
22. Zaki Ibrahim – Money (King Britt rmx)
23. Jeremy Ellis – Kissed By The Sun
24. Yaminah – 7 Days (Pirahnahead Remix Mellopella)
25. Yaminah – 7 Days (Pirahnahead Remix)

Nope, no download link.

This one’s only available for now on a special USB drive you can get by attending events in the LiL SoSo Productions/Smirnoff “Be You” series. The drives serve as discount passes to the events in the series, including Soul Overdose with Yahzarah and Inside The Artist’s Studio with N’Dambi. Get your USB drive at the Yahzarah event and be the first to have her new mixtape in addition to my new mix.

We’ll be giving out some drives at The Main Ingredient at Marvin on Monday and also watch Kat of LSP’s Twitter for giveaway opportunities.

July 6, 2009
9 PM :: HHTF OPENING NIGHT PARTY
Marvin
2007 14th Street, NW WDC
no cover, 21+

Anyway, after the spring pledge drive, I did a bit of traveling so I haven’t been on the show for a while. Here’s where I make it up to everyone.

6/11/09 – WPFW 89.3 FM/Decipher

Jake One feat. Elzhi & Royce 5′9″ – Glow
Jay-Z – D.O.A. (Death of Autotune)
Mos Def – Pretty Danger
Diamond District – I Mean Business

*break*

Fashawn – The Outer City
Theory Hazit – Time Turning

*break*

DJ Spinna – Summer Madness
Spec Boogie – Bed Stuy
Reflection Eternal – Back Again

*break*

Mos Def – Casa Bey
Diamond District – Make It Clear
M.O.P. – Blow The Horns

May 24, 2009
8pm – 3am
The Westbury
34 Kilburn High Rd
London, UK
cover: £5

Uprock Recordings Sound System
DJ Pogo
Pursuit Grooves
DJ Stylus

As soon as the first stanktastic bar kicked in, I bugged, and not just because Dante was rhyming like Ali hitting the speed bag in his prime. This bamma pulled a Ghostface and straight rhymed over a whole existing song! One of my favorite songs by a group I first got hip to on my trip to Brazil last year. Vinyl heads on the internets were already on the case, digging up the original Banda Black Rio joint for comparison.

I would have known about this if I actually went to Mos Def shows because he’s been rocking this joint live for like the past five months. At this point, I wouldn’t be mad if he did a whole album rhyming over funky, contrapuntal jazz fusion classics. Some Return to Forever maybe? Weather Report? Head Hunters! Let’s go!

But before I get carried away, let’s take a moment to trace the origins of a tune that Mos also discovered (and kirked out over) on a trip to Brazil.

“Casa Forte” was originally written and recorded by Edú Lobo for his North American debut Sergio Mendes Presents Edú Lobo. Lobo was already pushing the development of Musica Popular Brasileira after building on the work of Jobim and Gilberto but despite his important contributions to bossa nova, his acoustic rendering of “Casa Forte” takes a back seat to the many cover versions of what is now a standard.

A few of my favorites:

Sergio Mendes gives it a pretty straight interpretation, but with the trademark vocal style of Brasil ‘66. (listen / buy)

Legendary vocalist Flora Purim’s take is less pretty and a bit psychedelic. She gives the tune a wild edge. (listen / buy)

Ellis Regina lends a slightly mournful feel to her version and her rhythm section sounds like they’d also been playing some bop over the course of the recording session. (listen / buy)

Madlib teamed up with original Azymuth drummer Ivan “Mamão” Conti for the Jackson Conti project. Their rendition of “Casa Forte” puts the samba percussion up front and features what sounds like a melodica running through a wah pedal carrying the main melody of the tune. Probably Madlib’s idea. While he was high. Loving the keyboard work on this. (listen / buy)

And finally, DMV beat scientist Nick Tha 1da snuck in a version of “Casa Forte” on his Bossa Bang! mixtape last year. Since it’s a seamless combination of vinyl finds and re-worked productions, I’ve had the damnedest time ID’ing the origin*. Maybe I’ll ask him next time I see him. I ain’t too proud to train-spot. Click the cover above to download the whole project.

Update:
*Nick came through! Crate-diggers never reveal their secrets, but I guess he was feeling generous that day. Dig up a copy of this record and you’ll find another unique Casa Forte to add to your collection.

Nyle “Let The Beat Build” from Nyle on Vimeo.

Reminds me of jumping into the U Street scene with my peers 15 years ago, with all that earnestness and heart combined with raw talent. But now the yoots have a 21st century grasp of leveraging new media.

It’s crazy to see kids venerating what I was living when I was their age.

But it’s also a much needed cynicism check. Makes me feel like the old uncle at the barbecue smiling warmly on the chirrens. Especially when I usually want to shake all the Metro youngins walking around like this.

As my age cohort passes into veteran status, I’ve known kids like this in DC (who are all growed up now) but I didn’t know where else they existed.

I sound like I should start shopping for a rocking chair.

I’ve hinted here and there about this jazz project I’ve been involved in. The cat’s officially out of the bag now. Check out the myspace page for E44 and give a listen to our EP in the music player.

Res with E44 & DJ Stylus
April 23, 2009, 8:30 pm
Liv
2001 14th St NW, WDC
$20

From the days of Champion sweatshirts, backpacks and ciphers that went for hours comes this blast from the past straight out of the WMUC archives of the Soul Controller wayback machine.

O.G. Soul Controller “The J” conducts this interview with a young, personable and eager to rhyme emerging emcee by the name of Mad Skillz. Super Friends associate Kalonji the Immortal gets a piece with his own super-scientifical flow.

GET IT NOW!

As I was listening to this, I felt a strong urge to don a Madness hat, some Nike boots and walk up and down Georgia Ave drop kicking wack rappers in the throat until the riot squad came to subdue me. I told Oddisee this, just in case someone would be needed to explain the situation to the reporters that would show up to cover the story. It just might happen. My alibi is prepared.

Some months after I first felt moved to spread the word about Nicholas Ryan Gant, he asked me to add some flourishes to a mixtape project he was working on with a west coast hip-hop theme.

It was probably just in time because homie’s becoming a hot property along with the talented company he keeps. You’ll find a few rising nu-soul favorites in the tracklisting below along with some familiar names.

This project also marks the milestone of 50 mixes now available for download on VibeConductor.com. (w00t!)

And even though Nick might not find it as amusing as I do, I’m posting the gag cover that was replaced by the official cover above. Maybe he can be convinced that it’s a good look.

There’s an unmixed version for DJ’s and iPod shufflers. Otherwise, enjoy it mixtape style, where mixing actually takes place, which is not guaranteed in this modern lazily assembled compilation mixtape era.

1.Hittin Switches intro
2.What?
3.Good Thing
4.Incantory Tranquility ft. Labtekwon
5.Make It Right
6.Ode to Nate Dogg
7.Miss the light
8.My Switch ft. Muhsinah
9.Livin Life ft. Queen Godis
10.I Ain’t Ready ft. Amma
11.West Coast Connect
12.I’m Willin’
13.Gangsta Defined ft. Bilal Salaam
14.Unknown ft. Jesse Boykins III
15.Do What You Want
16.Don’t Call Me
17.The Past Outro

Download audio file (hittinswitches_mixtape.mp3)
[download: mixed | unmixed]

1st single: Who I Be

Diamond District Mini Documentary from Diamond District on Vimeo.
Filmed by T. Purnell for Packing Light Productions & Humble Monarch
Edited by Humble Monarch

GODISHEUS w/ Poem-Cees
Friday March 13
Asylum
2471 18th St NW Washington, DC
Cost: FREE!

Forgot about us?

A refresher’s in order. I’m with these guys:

We’ll be guests of these guys: