Long a favorite around these parts and identified early as someone to watch, Nicholas Ryan Gant and his soaring tenor are popping up on many more intriguing bits of nu-soul, from these shores all the way to Japan. Catch him delivering an exclusive intimate set at Refuge backed by Slimkat 78.
Wednesday, May 5
Refuge featuring Nicholas Ryan Gant
Tabaq Bistro (basement)
1336 U St NW, WDC
9pm – until
21+, no cover
It has the most ridiculous sound system in the city. The kind where you’re submerged in the bass without feeling assaulted by it. It is the anti-club (no dress codes, table service, velvet ropes, not even photography). It’s all about DJs and dancers. It has a cork cushioned hardwood dancefloor. It’s owned and managed by DJs and while they do bring in the big names, they give locals prime bookings.
I’m pretty amped about this.
What are Red Fridays?
In 2005, Red closed after nine years of operation. This place was little more than a small basement with giant speakers crammed into it. Awesome things happened there. It was the gravitational center of the city for people who loved their house music deep, banging and transcendent. Sam “The Man” Burns tended his flock there, as well as a fraternity of cats I learned from like Doug “95 North” Smith and Oji. The folks behind U-Hall are programming each night of the week around a theme, and Fridays are the deep house night.
So if want to lose yourself in soulful house, latin house, deep house dubs, disco classics, boogie, broken beat and various hues of uncompromising blacktronica, please join me this Friday. It will mean a lot to play to folks who will really go THERE with me in the only space in the city designed for it.
Don’t know what I’ll do yet. Probably a Sol Power type set mixed with deep big room stuff. Won’t really know until I get there. Should be interesting and there will be quite a contrast. Not my target audience but I like to branch out.
There is an open bar too. And they sold out 800 tickets last year before the doors even opened.
Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.
We’ve put together an evening for those that generally consider Valentine’s Day a day of corniness, or even worse, a source of emotional distress. The happily coupled and the comfortably single are encouraged to attend, but we’ve got some special things in store for those looking for a little help in connecting with someone new.
Because we’ve all been there, check out my Valentine’s playlist for dumpers and dumpees on The Root. Trouble don’t last always. Cry or shout it out as needed.
It’s almost cursory to mention it at this point because everyone already knows but we’ll be playing the new Sade album in its entirety tomorrow, after a special video message from the golden lady herself. I hope you’re on the list because we’re near capacity. There will be libations, hors d’oeuvres and chances to win prizes. We won’t be in the basement this week so check for us on the main level.
So last week, Tami sang a few of her most popular songs to her five fans (not really) then Refuge turned into a juke joint. Here are a few cuts responsible for that.
The Grammys got me reminiscing on the Black Eyed Peas when they were still dope. And that got me reminiscing on one of my favorite jazz fusion joints ever by one of Brazil’s most esteemed exports.
I’m glad that I can officially crown this a Refuge staple after giving “Circles” a well-deserved rest. Can these cats keep making anthems every time they drop a joint? Don’t want to put that much pressure on them but if they make a full album it could be a problem (in a good way). Zepherin Saint is on FB too. Go be his friend.
No Kleeer, just another evening pulling treats from the old box o’ choons to entertain my friends. Didn’t really dig into the new-new stuff last week, but at Refuge the records tell me what to play.
I push Ty the way that Jehovah’s Witnesses push salvation. If you dig progressive, soulful, smart hip-hop and you don’t have any Ty in rotation then I feel like it’s my duty to help you see the light. This is one of my favorite cuts from his superb Closer album. Taylor McFerrin on the beatbox.
Naked Music‘s best years were just magic. The beautiful series of nudes on the album covers and the gems in the record sleeves that never left your crate after purchase. I can’t look at these records without being flooded with memories of rocking sets with or having dancefloor moments to these songs. 10 years ago the Vibe Conductor concept was just forming and these tracks helped shape that early identity.
Some folks told their friends and they brought their friends. Then some old college friends showed up. Then some friends who were having a business meeting over drinks caught the boogie in their bodies. Then all the people who’ve been asking me “where do you spin?” but always forget the answer all showed up at once. Then it turned into a packed, joyous classic style house party. Then folks were doing a Soul Train line at 2 a.m. to the full 8 minutes of Earth, Wind & Fire’s live version of “Sun Goddess”.
Apparently this was all the New Year’s partying that some folks needed.
As these events were developing, I was playing out of my “make you shake your ass and sing along” repertoire. But before all that, we was chillin’ and this is how it went down. No categories on this post, just a few noteworthy joints.
This has always been and will always be my jam. But being the contrarian that I am, I rocked the smoothed out remix last week. It definitely has its own charm.
This is an old staple of mine that I had to put on ice for a few years because I played it too much. Then when I bring it back out of retirement, it’s new to everyone! Another fantastic usage of Ahmad Jamal’s “Swahililand”.
It almost feels premature to be rocking this now because it’s such a spring jam. Kissey Asplund does her cutesy space kitten thing and Blu’s Dana Dane impression takes me back to happier times. Who’s Kidkanevil? I’m just finding out myself over a year after everyone else did.
I got Music Fan First right before the first Refuge and been banging this tune ever since. It’s almost cursory to highlight it at this point because its jam status was instantly evident. But I love it. The dancefloor loves it. Other DJs reading this, if you like women, you should be playing it.
SWV had a lot of great tracks outside of their established hits. Many solid cuts fell through the cracks in that transitional period when new jack swing was waning and R&B had yet to merge DNA with hip-hop.